The change in Helmer’s expressed character probably does not dupe either Nora or the audience
The change in Helmer’s expressed character probably does not dupe either Nora or the audience It is not a happy ending but a sad one, particularly for Torvald He begins the act rather unsympathetically. His objectification of Nora extends so far as practically demanding to have sexual intercourse with her against her will. He belittles…
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